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Rutilio Manetti Masinissa and Sophonisha oil painting


Masinissa and Sophonisha
Painting ID::  28949
Rutilio Manetti
Masinissa and Sophonisha
mk65 Oil on cavnas 66 1/8x104 5/16in Uffizi,

   
   
     

Rutilio Manetti Rogero and Alcina oil painting


Rogero and Alcina
Painting ID::  28948
Rutilio Manetti
Rogero and Alcina
mk65 Oil on canvas 70 11/16x80 1/2in Pitti

   
   
     

Rutilio Manetti Wedding Feast at Cana oil painting


Wedding Feast at Cana
Painting ID::  43737
Rutilio Manetti
Wedding Feast at Cana
c. 1620 Oil on canvas, 219 x 170 cm

   
   
     

Rutilio Manetti Die Verspottung Christi oil painting


Die Verspottung Christi
Painting ID::  87877
Rutilio Manetti
Die Verspottung Christi
Oil on canvas Dimensions 190.8 x 148.3 cm (75.1 x 58.4 in) cyf

   
   
     

Rutilio Manetti Virgin and Child with the Young Saint John the Baptist and Saint Catherine of Siena oil painting


Virgin and Child with the Young Saint John the Baptist and Saint Catherine of Siena
Painting ID::  90226
Rutilio Manetti
Virgin and Child with the Young Saint John the Baptist and Saint Catherine of Siena
c. 1608-1610 Medium oil on canvas Dimensions 101 x 75.3 cm (39.8 x 29.6 in) cjr

   
   
     

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     Rutilio Manetti
     Italian Baroque Era Painter , 1571 - 1639 was an Italian painter of late-Mannerism or proto-Baroque, active mainly in Siena. He was influenced and/or taught by the local artists Francesco Vanni and Ventura Salimbeni. He is known to have collaborated with Raffaele Vanni, the son of Francesco. He is known for the following works in Siena or nearby towns: Story of St Catherine and Pope Gregory (1597; Palazzo Pubblico), Baptism of Christ (1600; San Giovannino in Pantaneto); a fresco cycle of the Story of St Roch (1605-1610; San Rocco alla Lupa), Pope Alexander I freed from prison by an Angel from San Giovanni Battista in Sant'Ansano in Greti; a Temptation of Saint Anthony (1620, Sant'Agostino), a Death of Blessed Antonino Patrizi (Monticiano, 1616), a Blessed Domenico dal Pozzo at the table now in Certosa of Florence, a Birth of Virgin (1625, Church of Santa Maria dei Servi), and a painting (1628, Church of San Domenico). He painted a remarkable Allegory of the four seasons and a Parable of the blind men, now in private collections. He also contributed to the Casino Mediceo His style moved from one derived from Barocci to a more Caravaggesque manner after the first decade of the 1600s.

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     | Axel Borg | Florentine School | Jan van Noordt |


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